Mo Blog

Wednesday, 23 July 2014

100 Years of Norman McLaren

A Historic Scotland heritage plaque commemorating Norman McLaren is unveiled at his early home on Albert Road in Stirling.  




With the starter pistols cocked, and the games just about to begin it is easy to direct all attention to the sports arenas of the next two weeks. Apart form all the work that has gone into the game's preparation, there has been a voluminous programme of cultural events that have paved the excitement over the last 6 months until now. One of which is a series of events celebrating the life and career of Norman McLaren.

I have been involved with this programme of events since the start of the year and it is unbelievable and humbling to see just how big the scale of celebration has been. To celebrate Scotland's most championed animator there has been more than just retrospectives and the dusting off of old reels. I have had the pleasure of attending and learning from specialist panels, world premiers, other animators work, workshops on traditional and contemporary animation methods, live orchestration over screenings, theatrical performances, exhibitions, unveilings and just old fashioned raising a glass. It is a marathon programme that has been a long time in its curation and it has all the hallmarks of commitment and passion that I am glad to have been able to lend my lens to.

An exhibition dedicated to McLaren's work at Stirling's Macrobert centre 
McLaren programme director, Iain Gardner,  at a retrospective of McLaren's animation at Filmhouse, Edinburgh

An exhibition of McLaren's work is curated at the Talbot Rice Gallery.


Luigi Allemano hosts a workshop in sound on celluloid at Tolbooth Stirling


Comapny Nathelie Cornille perform A Chairy Tale to open the festival at Macrobert, Stirling



A selection of McLaren's animation is projected onto the 400 year old wall of Stirling Castle's Chapel Royal

The Glasgow Improvisers Orchestra perform alongside McLaren's animation at the GSA

Screen Bandita lead a workshop on hand painted animation for young people using celluloid leader at Stills



Guests at the official reception at Stirling Castle

Don McWilliams toasts the life and work of McLaren

Festival masterminds Sabrina and Iain overlooking McLaren's original home from the roof of the Tolbooth, Stirling

Friday, 6 June 2014

The Phantom Band


Rock & Roll, they say, is all glamour.

It's a good thing that this is all lies and that The Phantom Band don't exactly fall under the simplified banner of rock. Them, their music and even their name have never been simplified, so why should a photoshoot be straightforward?

To coincide with the release of their third album Strange Friend,  The Skinny asked if I could shoot the band for the latest cover and in Dumbarton. Enter stage right: two car loads of Phantoms and myself, on the road west one sunny Sunday afternoon, what could be simpler? In the run up to shoots like this I always like to prepare. I pencil down visual ideas or a theme and check out artwork. I was sent a clandestine link to the new album which I listened to in complete darkness. I packed and repacked my gear like a sherpa. I even had time for some chakra vowel chanting before meeting the guys. The band though, were suffering from their side-project obligations from the night before and had used the morning to spontaneously move their entire studio.

Fifteen minutes later, we have bypassed Dumbarton looking for a good location, made every wrong turn and both cars are now totally separated in an Exodus scale downpour. Unimaginably, the only constant to the shoot is our original idea to eat some ice creams by the seaside. We career into the first sodden, seafront we find. A phalanx of Phantoms head off to find somewhere for ice-creams and to genuinely buy chips, priorities. As always, at the height of the struggle, from the wall of rain emerges the most enthusiastic local out for his Sunday rain walk who see's our head scratching as an opportunity for the chat of a lifetime. By the time the band are back, shielding their dissolving ice-creams with takeaway bags, we've been on the go for 2 hours. But we've had chips.

Fifteen minutes later, Helensburgh pier is littered with flakes of sodden cone wafer and streams of ice-cream runoff. The sky and the sea are the exact same colour and the rain has charmed its way inside my camera making all my pictures look like we are in a turkish bath. Except we aren't, and to our further disbelief Andy's car battery has died during the shoot. What a scene this must have looked from above as me and Iain push-start the car and it rolls to a halt in the centre of a lagoon of rainwater. A lucky set of jump leads at hand we wait wringing with monsoon, listening to the revs of a very low fuel tank from the other end wondering if we need to start thinking about something more substantial then chips.

Back on the road and soaking the upholstery, the guys all kick back and get talking about albums and afterpartys with no afterthought to the shoot as if this was as ordinary a day in the life of The Phantom Band as they come.








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Monday, 21 April 2014

Theology



I'm a really happy man. 

Theology, a bold and charismatic new production by Martin O'Connor, has just ended its run as part of The Arches Behaviour Festival programme. Performed in The Pearce Institute, a stalwart heart of Govan, everything about the work resounded community. From recruiting a unique male choir of local vocals, to writing that meditates on a generation of life in Govan, through thematic reworkings of an enormous global community - the Catholic Church. And I was invited to join the small community that collaborated on the work. Me and Martin worked together on a poster image for the show, I shot the production images and, a new and brilliant experience, I helped produce bespoke permanent images under the vision of the show's designer that were hung as part of the set.

While I harp on perpetually about how much I love my job, it isn't very often you get to work collaboratively with awesome creative people on an a project that is thematically and visually rich. Unlike much of my work, the nicest aspect of this project was the scale of my involvement from early in the show's development and to be able to lend my vision to what is a wry, complex and moving piece of theatre. All boxes ticked really.

Like I said, I'm really happy.




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Wednesday, 19 March 2014

Check-in! : Glasgow Film Festival



Glasgow sprang out of hibernation a month early in February for the perless jamboree that is Glasgow Film Festival. With a programme of film, food and potholing it had no problem maintaining its notoriety for creative, vivid, unforgettable events.  I was really lucky to join the team again this year and I had more excitement and colour than I could point a camera at.

From the Grand Budapest Hotel in the Grand Central, Goodfellas and pizza at the Briggait, Jason Priestly's socks, to the Glasgow Gospel Choir's impromptu opening of a screening, all documented below.



Robert Florence at the Festival Opening Gala

Stuart and Marisa Murdoch at the Festival Opening Gala



 Guests at the Festival Opening Gala

Guests at the Festival Opening Gala
Street Food Cinema at the Briggait



Alison Gardner introduces the opening night gala
John Sessions in session.
Benedikt Erlingsson in conversation for Of Horses and Men
James Duff in a post show discussion for Hank and Asha

Richard Dreyfus and Jason Priestly on the red carpet for Cas and Dylan

Richard Dreyfus at the GFT
Jason Priestly in a post show Q&A for Cas and Dylan 
Jason Priestly in a post show Q&A for Cas and Dylan 

Agnés b and Lou-Léila Demerliac on the rad carpet for My Name Is Hmmm...


Claudia Lennear with the Glasgow Gospel Choir perform for the premiere of 20 Feet from Stardom 

Claudia Lennear with the Glasgow Gospel Choir perform for the premiere of 20 Feet from Stardom 
Claudia Lennear with the Glasgow Gospel Choir perform for the premiere of 20 Feet from Stardom 
Margaret Tait Award winners Anne-Marie Copestake and Rachel MacLean with festival Producer Corinne Orton

Margaret Tait Award winner Rachel MacLean introduces her new work

Andy Diggle and Jock in conversation with Mark Millar


Andy Diggle and Jock in conversation with Mark Millar

Andy Diggle and Jock in conversation with Mark Millar

Ed Atkins, curator of Man of Steel

George Sluizer, Director of Dark Blood, in a post show discussion



Until next year...