Make light work, as the proverb says. Still the work required of this festival is only for the hardy. And hard work is not taken lightly.
It has been hypnotically fascinating to watch the machine of the Edinburgh International Festival come to full fruition. While I am only around as the photographer for the peak of action, it is easy to spot a year of hard work embedded in the frantic activity that is August. Artists and ambassadors from polar corners of the globe, full crews and sets and companies appearing in Edinburgh overnight by what seems like calm coincidence. As diverse a production as any one that appears on its stages. Diverse to its very core, it is easy to overlook the local hands that keep the show afloat.
Thanks for a brilliant festival.
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| Staff at the Usher Hall wait at the stage door as a performance closes |
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| An instructor from the Nrityagram Dance Ensemble keeps time during a dance class |
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| Wardrobe staff prepare the dancers point shoes behind the scenes at the National Ballet of Scotland |
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| A dancer practices classical Indian dance positions at the Nritrygram dance class |
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| Legendary artist Wu Hsing-kuo performs on stage as King Lear |
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| BBC crew prepare the lighting for the Review Show with the Legendary Music of Rajestan |
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| Wu Hsing-kuo and the First Minister of Taiwan |
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| A Rajistani musician tunes up before a recital |
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| Pyrovision fireworks crew prepare a week early in all conditions for the ultimate Sunday night display |
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| A festival patron on a touch tour of 1001 Nights where visually or hearing impared are guided through a performence using touch and description |
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| Melvyn Tan customises his piano to play a percussion duet for his performance |
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| A performer of Ea Sola prepares the mat floor backstage before a show |
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| Pianist Yefim Bronfman |
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| Shen Wei dancers warm up with slow breathing exercises before a morning dance class |
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| A weaver at the Dovecot Heirlooms exhibition spins fine silk on a traditional loom |
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| Sally Hobson, head of programme development with the festival |
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| Jonathon Mills, director of the Edinburgh International Festival |
